Then what exactly are you going to use it for? Stick to mastering the other tools that magic lantern has enabled for people learning the ropes to hone their craft, all this Canon RAW talk is borderline ridiculous and a lot of it comes down to people wanting to believe their Cameras are now on the same playing field as Blackmagic, Red et al. That was the whole point of what I was saying this isn't a beginner level learning tool, if your not sure what it is, how to do it, etc. is he shooting these features on a Canon Rebel? As in the original poster. If ML perfects the dual iso recording (get rid of Moire, aliasing, false detail) then 5D MK III imagery will be competing with Alexa and there would be scant reason for amateur or pro alike to buy any camera from the canon cinema eos line.ĭDay.

If Canon was just trying to compete with Blackmagic for raw video (albeit in a round about way) they definitely wouldn't have also added the functionality of 14 stops of dynamic range. Read the paper on the ML forums on how they (A1ex I think) arrived at that innovation.

If you read on the ML forums or even look at the code they have written to create entirely new features (raw video on the 50d, a strictly stills camera for instance) there is virtually no evidence of any support from Canon.Įven more amazing than the raw video, in terms of the image sensor systems science and actual technical know-how is the dual iso recording.

If Canon had been working with Magic Lantern I don't think there would have been near as many technological hurdles as there have been for the ML team. just an opinion but Magic Lantern has been working on Canon cameras for a long time.

How to use davinci resolve canon 7d